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Alison Smith is lead curator, British art to 1900, at the Tate Gallery, London.〔http://www.tate.org.uk/about/who-we-are/tate-structure-and-staff/staff-profiles/alison-smith〕 == Selected publications == *With Tim Barringer and Jason Rosenfeld, ''Pre-Raphaelites: Victorian Avant-Garde'', exhibition catalogue, Tate Britain, London 2012, 256pp. *''Watercolour'', exhibition catalogue, Tate Britain, London 2011, 192pp. *''Symbolism in Poland and Britain'', exhibition catalogue, Tate Britain, London 2009, 40pp. *With Jason Rosenfeld, ''Millais'', exhibition catalogue, Tate Britain, London 2007, 272pp. *‘The Enfranchised Eye’, in Alison Smith, Allen Staley and Christopher Newall (eds.), ''Pre-Raphaelite Landscape: Truth to Nature'', exhibition catalogue, Tate Britain, London 2004, pp.11–24. *‘G.F. Watts and the National Gallery of British Art’, in Colin Trodd and Stephanie Brown (eds.), ''Representations of G.F. Watts: Art Making in Victorian Culture'', Farnham 2004, pp.153–68. *''Exposed: The Victorian Nude'', exhibition catalogue, Tate Britain, London 2002, 288pp. *‘A "State" Gallery? The Management of British Art During the Early Years of the Tate’, in Colin Trodd and Paul Barlow (eds.), ''Governing Cultures: Institutions of Art in Victorian London'', Farnham 2000, pp.187–98. *''John Petts and the Caseg Press'', Farnham 2000, 128pp. *''The Victorian Nude: Sexuality, Morality and Art'', Manchester 1996, 256pp. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Alison Smith (curator)」の詳細全文を読む スポンサード リンク
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